Randeep Hooda | My Journey So Far….

Rang Rasiya - Story of Raja Ravi Verma — Rang Rasiya – Story of Raja Ravi Verma

I was waiting for the release of this film since it was screened at cans in 2008, but Indian censorship took its toll on this movie, and finally it is released. Main motivation for me to watch this movie was the film protagonist – Raja Ravi Verma. I wanted to see the story of that man who revolutionized the way we see our mythological characters. The man who was responsible for first creating the poster of Goddess Laxmi standing on a lotus flower, the way we saw her today in every Diwali poster. The man who made sari clad Indian women looked sexier and elegant at the same time. The man who made come alive ‘Shakuntala’, Damyanti, Urvashi, Menka, Saraswati and many more. The man whose imagination defined the pathway for Indian arts and paintings.

You can write a book on Raja Ravi Verma and still you won’t be able to do justice to capture his large persona, so when it came to capturing his life in an almost 2 hour long movie, I was skeptical. But, I was not disappointed.

‘Rang Rasiya’ is an Indian film based on the life of famous Indian Painter ‘Raja Ravi Verma’. This film is directed by Ketan Mehta of ‘Mangal pandey’ fame. It stars Randeep Hooda as the famous painter himself, and Nandana Sen as his muse. Feryna Wazheir and Paresh Rawal also plays a pivotal role in the movie.

This movie portrays character of Raja Ravi Verma from childhood moment of painting elephant on a temple’s wall to his old age when he get motivation to change his course of painting and focus on common people rather than Gods and deities. The way this character rebels against the norms of society is commendable. His selfishness when it comes to painting is shown honestly. His guilt, his progression, his imagination, everything is filmed beautifully.

The very first moment you will see the title song of the film, you will be hooked to it. It is like watching a beautiful painting taking shape in every scene of the film. But to advise you, this film is not for everyone. My husband almost dozed off twice while watching it and ultimately he left.

Randeep Hooda has proven himself again. He has aged gracefully in this film, with every scene maturing his acting skills. His progression from a clueless but passionate painter to the one who is just eager to defy everything that comes in the way of portraying true art, is commendable. He has looked every bit of Raja Ravi Verma. Most laudable were the scenes of court, or his reaction when he saw his muse for the last time.

Nandana Sen is one brave actress. She has done justice to Raja Ravi Verma’s life and paintings. She has looked beautiful and acted superbly. She was vulnerable yet strong, jealous but still madly in love, she was the goddess and yet she was the earthly woman, who could only live in imaginative world of his lover. Most worthy of the praise is the scene when she discovers that her existence to Ravi Verma’s life is only in his imagination. Nandana Sen has etched a lifetime role.

‘Rang Rasiya‘, as a film is not perfect, it’s not even close to that, but if you watch it for Raja Ravi Verma, than it is far more that perfect. It is a masterpiece, just like all the paintings of Raja Ravi Verma.

Note: All Photos credit to Rang Rasiya’s Facebook page.

‘Rang Rasiya’ team to inspire people for eye donations(manipalworldnews.com)
‘Rang Rasiya’ tweet review: Randeep Hooda shines in an otherwise average film(ibnlive.in.com)
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Bombay Talkies: Celebrating 100 years of Indian Cinema

Finally I watched Bombay talkies, nearly half an year after the movie released. I had high hopes from the movie as this movie was made to celebrate the completion of 100 years of Indian cinema, also the more fascinating point being that it has four short stories directed by four maestro directors of Indian Cinema – Karan Johar, Dibakar Banerjee, Zoya Akhtar and Anurag Kashyap(My Fav). I won’t say that my hopes were not met, they were to some extent, but in the end I was craving for more. Craving for that extra icing on the cake, and that extra was satisfied with the title song pictured on the fabulous stars like Aamir Khan, Ranbir Kapoor, Kareena, Sridevi, Madhuri, Karishma, Vidya, Akshay, Imran, Shahrukh and many more…..

First story of this movie is titled “Ajeeb Dastan Hai Ye”, and is directed by Karan Johar. This story deals with homosexuality, and quite surprisingly very differently than Karan’s earlier attempt of “Dostaana”. Story is of a homosexual media intern Saquib, who is working for Rani Mukherji, married to News reader and analyzer Randeep Hooda. Problem arises when Saquib understood that the married couple is not so happily married and this is because the husband is gay. So, out of nowhere he makes a move on him (stupidly, in front of his whole news crew in the office), and got beaten up badly. Saquib again very stupidly went to Rani, and again in front of everyone at her office, announced that her husband has actually kissed him. So lame. Very mature Karan. Well, I really liked the part where saquib got into a fight with his father, slapping him continuously and shouting “I am not a eunuch, I am homosexual. And even if I would be a eunuch, there is nothing wrong with it. There is nothing wrong with me.” I didn’t liked the climax though, in the end it is shown that poor Randeep who was actually a confused soul (gay or straight, who am I?), got thrown out of his house, by the wifey, Rani. End is shown as it is liberating for Rani to finally know that it was not her fault in marriage, it’s his, the husband. And there goes the whole idea behind depicting homosexuality in a broad-minded way. It should have been the liberation of husband, who finally came to know what he actually wants and what he really is. Alas!

Another point which I should have pointed out in the beginning is that the above story does not seem to be related to Indian Cinema in any way. All the other stories have somewhat taken inspiration from the cinema. Moving on to the the next one.

This story “Star” is the most beautifully written. Directed by Dibakar Banerjee, this is the story of a failed star/actor played by Nawazuddin. He believes that if he is good in his work, then work will come to him. Thus, he is mostly without work, even though he proves in the end that he is good in his work. It was a surprise encounter of his mentor’s ghost that actually opens his eyes, and he came to know of the fact that it does not matter if you are good or bad in your work, what matters most is, passion. Passion in what you do. You could be good in acting, but unless you have the passion to leave everything, take risk and completely immerse yourself in acting, you can not achieve success. Realization come and he runs to his daughter and with that passion in the eyes, narrates his whole day to her. The day when he actually worked in a film with Ranbir Kapoor. He sleeps that night, peacefully. As if he has find his Nirvana.

Third story “Shiela Ki Jawani” directed by Zoya Akhtar, is of a little boy, who actually loves dressing up as girl, adores Katrina Kaif, and dances to the tune of “Shiela Ki Jawani”. His father, being a typical male, does not want his boy to go a girly way and impose football lessons on him. This story depicts that as a parent and as a society we are the one who have made differentiation between what a girl or boy can do, and what they are not allowed to do. A father can gift a doll to his daughter and ball to his son but not the other way. A teacher who is teaching classical dance to girls, does not want a boy to even look at the lessons. This is the same society we are living in, who then tell us to raise our daughters and boys as same. Most touching part was when the sister asks the boy, “Do you know, why papa was so angry at you?”. Boy replied “Maybe because I touched mamma’s makeup”. She replies “No, it’s because you were dressed as a girl”. And he said very innocently “Why? Is it bad to be a girl?”

Last story “Murabba”, directed by Anurag Kashyap, truly captures the essence of impact of Indian cinema in our lives. That larger than life image of film stars and the way we relate to them. A small town boy, Vijay goes to Mumbai to fulfill his father’s wish of eating a Murabba blessed by none other than “The Amitabh Bachchan”. This film also shows the honest and pure desire by which small towners still worship their cinema idols. Vijay struggles and try to work out any possible way to reach the mega star, he even try to bribe the security guard at Mr. Bachchan’s house. Finally, he did manage to give Murabba to him, actually persuade him to eat half of it before his eyes. Very innocent. Fun part was when his father tells him the true story behind his encounter with “The Dilip Kumar”. Lesson learn “Never put Murabba in Achaar’s jar”.

I did enjoyed all the stories, some more and some less but nevertheless I liked them. But, it was the end title song “Apna Bombay Takies” which takes your breath away. Phew!!!

Now, I am going to cook myself a good lunch, and there is no sharing when it comes to food. So, you better go and watch a movie 🙂